lms-video/pd-0.44-2/extra/sigmund~/sigmund~-help.pd

#N canvas 167 -7 580 617 12;
#X text 42 4 sigmund~ - sinusoidal analysis and pitch tracking;
#N canvas 432 117 573 597 using-with-tables 0;
#X obj 29 368 print peak;
#N canvas 0 0 450 300 (subpatch) 0;
#X array insignal 1024 float 2;
#X coords 0 1 1023 -1 200 140 1;
#X restore 83 426 graph;
#X obj 314 513 phasor~;
#X obj 294 429 loadbang;
#X obj 314 461 440;
#X floatatom 313 488 5 0 0 0 - - -;
#X obj 305 544 tabwrite~ insignal;
#X obj 290 516 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144
-1 -1;
#X text 114 11 Using sigmund~ on arrays;
#X text 42 33 If invoked with the "-t" flag (as a creation argument)
\, sigmund~ analyzes waveforms stored in arrays. Instead of an incoming
signal \, feed it "list" messages with the following arguments:;
#X text 37 118 table name (a symbol);
#X text 38 137 number of points;
#X obj 29 342 sigmund~ -t -npeak 10 -maxfreq 5000 peaks;
#X msg 29 316 list insignal 1024 0 44100 0;
#X text 37 158 index of first point;
#X text 39 179 sample rate;
#X text 38 200 debug flag (print debugging info if nonzero);
#X text 23 232 In this mode \, only the "env" \, "pitch" \, and "peaks"
outputs are meaningful.;
#X text 31 294 click here to test:;
#X connect 2 0 6 0;
#X connect 3 0 4 0;
#X connect 4 0 5 0;
#X connect 5 0 2 0;
#X connect 5 0 7 0;
#X connect 7 0 6 0;
#X connect 12 0 0 0;
#X connect 13 0 12 0;
#X restore 330 553 pd using-with-tables;
#X obj 40 512 phasor~;
#X obj 40 425 loadbang;
#X floatatom 40 471 5 0 120 0 - - -;
#X floatatom 39 561 5 0 0 0 - - -;
#X floatatom 245 563 5 0 0 0 - - -;
#X obj 40 490 mtof;
#X obj 40 448 69;
#X text 38 579 pitch;
#X text 222 582 envelope;
#X text 13 28 Sigmund~ analyzes an incoming sound into sinusoidal components
\, which may be reported individually or combined to form a pitch estimate.
Possible outputs are specified as creation arguments:;
#X text 56 95 pitch - output pitch continuously;
#N canvas 518 74 588 728 setting-parameters 0;
#X msg 182 66 print;
#X floatatom 192 92 5 0 0 0 - - -;
#X msg 192 113 minpower \$1;
#X obj 182 139 sigmund~ -minpower 40;
#X text 39 14 You can set parameters either by creation arguments \,
or else using messages. The "print" message gives you the current values
of all the parameters:;
#X text 28 169 npts: number of points used in an analysis. Must be
a power of two \, at least 128 The minimum frequency that can be tracked
is about 2(sample_rate)/npts.;
#X text 26 219 hop: number of points between analyses. Must be a power
of two \, at least the DSP vector size (usually 64). This regulates
the number of analyses done per unit of time.;
#X text 28 271 npeak: maximum number of sinusoidal peaks to look for.
The computation time is quadratic in the number of peaks actually found
(this number only sets an upper limit). Use it to balance CPU time
with quality of results.;
#X text 30 336 maxfreq: maximum frequency of sinusoidal peaks to look
for. This can be useful in situations where background noise creates
high-frequency \, spurious peaks..;
#X text 37 388 vibrato: maximum deviation from "pitch" to accept as
normal vibrato (affects "notes" output only). If the value is too small.
vibratos will appear as trills. If too large \, very small melodic
intervals may not be reported as new notes.;
#X text 33 457 stabletime: time period to wait before reporting a note
(affects "notes" output only). The "pitch" must be present and must
not vary more than "vibrato" for this entire period to report a note.
If too large \, the "notes" will be unnecessarily delayed. If too small
\, spurious notes get output.;
#X text 31 551 minpower: minimum measured RMS level to report a pitch
(affects "pitch" and "notes" output only). Signals quieter than this
will be assumed to be crosstalk and ignored.;
#X text 32 602 growth: minimum measured RMS growth to report a new
note (affects "notes" output only). The RMS level must rise by this
many dB (within a time period given by "stabletime") to report a repetition
of a note at or near the previously output pitch.;
#X connect 0 0 3 0;
#X connect 1 0 2 0;
#X connect 2 0 3 0;
#X restore 330 531 pd setting-parameters;
#N canvas 67 29 641 815 sinusoid-tracking 0;
#X obj 124 267 sigmund~ -npeak 10 peaks;
#X obj 124 214 phasor~;
#X obj 124 144 loadbang;
#X floatatom 124 190 5 0 120 0 - - -;
#X obj 124 295 route 0 1 2 3 4 5 6 7 8 9;
#X obj 82 339 unpack 0 0 0 0;
#X floatatom 82 461 5 0 0 0 - - -;
#X floatatom 122 431 5 0 0 0 - - -;
#X floatatom 162 406 5 0 0 0 - - -;
#X obj 124 167 440;
#X floatatom 203 380 5 0 0 0 - - -;
#X obj 322 349 unpack 0 0 0 0;
#X floatatom 322 471 5 0 0 0 - - -;
#X floatatom 362 441 5 0 0 0 - - -;
#X floatatom 402 416 5 0 0 0 - - -;
#X floatatom 443 390 5 0 0 0 - - -;
#X text 385 475 frequency (Hz.);
#X text 419 442 peak amplitude (linear);
#X text 464 416 cosine component;
#X text 499 390 sine component;
#X text 79 505 loudest partial;
#X text 332 508 quietest partial;
#X text 36 4 You can ask for sinusoidal peaks in decreasing order of
amplitude or arranged into maximally continuous tracks for resynthesis.
(Or you can ask for both.) If you ask for peaks \, out come lists of
five numbers \, one for each sinusoid at each analysis period. The
first is the index number of the sinusoid (so you can use "route" to
claw them apart). The other four are as shown:;
#X obj 204 611 osc~ 440;
#X obj 204 635 *~;
#X obj 205 689 unpack 0 0 0 0;
#X floatatom 205 782 5 0 0 0 - - -;
#X floatatom 245 760 5 0 0 0 - - -;
#X floatatom 285 737 5 0 0 0 - - -;
#X floatatom 326 713 5 0 0 0 - - -;
#X obj 246 638 tgl 15 0 empty empty empty 17 7 0 10 -262144 -1 -1 0
1;
#X text 43 535 If you ask for "tracks" \, the output is four numbers:
index \, frequency \, and amplitude as before \, and finally a flag
which is one for a new track \, zero for a continuation \, minus one
for an empty track.;
#X obj 205 662 sigmund~ -npts 16384 -hop 8192 -npeak 1 tracks;
#X connect 0 0 4 0;
#X connect 1 0 0 0;
#X connect 2 0 9 0;
#X connect 3 0 1 0;
#X connect 4 0 5 0;
#X connect 4 9 11 0;
#X connect 5 0 6 0;
#X connect 5 1 7 0;
#X connect 5 2 8 0;
#X connect 5 3 10 0;
#X connect 9 0 3 0;
#X connect 11 0 12 0;
#X connect 11 1 13 0;
#X connect 11 2 14 0;
#X connect 11 3 15 0;
#X connect 23 0 24 0;
#X connect 24 0 32 0;
#X connect 25 0 26 0;
#X connect 25 1 27 0;
#X connect 25 2 28 0;
#X connect 25 3 29 0;
#X connect 30 0 24 1;
#X connect 32 0 25 0;
#X restore 330 508 pd sinusoid-tracking;
#X text 52 165 tracks - output sinusoidal peaks organized into tracks
;
#X text 56 111 notes - output pitch at the beginning of notes;
#X text 339 485 more details:;
#X text 10 184 Parameters you may set (in creation arguments or messages):
;
#X text 60 207 npts - number of points in each analysis window (1024)
;
#X text 60 225 hop - number of points between each analysis (512);
#X text 60 242 npeak - number of sinusoidal peaks (20);
#X text 61 279 vibrato - depth of vibrato to expect in 1/2-tones (1)
;
#X text 60 298 stabletime - time (msec) to wait to report notes (50)
;
#X obj 39 535 sigmund~ -hop 4096 pitch env;
#X text 62 316 minpower - minimum power (dB) to report a pitch (50)
;
#X text 62 335 growth - growth (dB) to report a new note (7);
#X text 54 147 peaks - output all sinusoidal peaks in order of amplitude
;
#X text 11 356 The npts and hop parameters are in samples \, and are
powers of two. The example below specifies a huge hop of 4096 (to slow
the output down) and to output "pitch" and "env". (Those are the default
outputs.);
#X text 61 260 maxfreq - maximum sinusoid frequency in Hz. (1000000)
;
#X text 55 128 env - output amplitude continuously;
#X text 380 596 updated for Pd v0.41;
#X connect 2 0 24 0;
#X connect 3 0 8 0;
#X connect 4 0 7 0;
#X connect 7 0 2 0;
#X connect 8 0 4 0;
#X connect 24 0 5 0;
#X connect 24 1 6 0;