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GNU GENERAL PUBLIC LICENSE
|
||||
Version 3, 29 June 2007
|
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|
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Copyright (C) 2007 Free Software Foundation, Inc. <http://fsf.org/>
|
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Everyone is permitted to copy and distribute verbatim copies
|
||||
of this license document, but changing it is not allowed.
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||||
|
||||
Preamble
|
||||
|
||||
The GNU General Public License is a free, copyleft license for
|
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software and other kinds of works.
|
||||
|
||||
The licenses for most software and other practical works are designed
|
||||
to take away your freedom to share and change the works. By contrast,
|
||||
the GNU General Public License is intended to guarantee your freedom to
|
||||
share and change all versions of a program--to make sure it remains free
|
||||
software for all its users. We, the Free Software Foundation, use the
|
||||
GNU General Public License for most of our software; it applies also to
|
||||
any other work released this way by its authors. You can apply it to
|
||||
your programs, too.
|
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|
||||
When we speak of free software, we are referring to freedom, not
|
||||
price. Our General Public Licenses are designed to make sure that you
|
||||
have the freedom to distribute copies of free software (and charge for
|
||||
them if you wish), that you receive source code or can get it if you
|
||||
want it, that you can change the software or use pieces of it in new
|
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free programs, and that you know you can do these things.
|
||||
|
||||
To protect your rights, we need to prevent others from denying you
|
||||
these rights or asking you to surrender the rights. Therefore, you have
|
||||
certain responsibilities if you distribute copies of the software, or if
|
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you modify it: responsibilities to respect the freedom of others.
|
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|
||||
For example, if you distribute copies of such a program, whether
|
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gratis or for a fee, you must pass on to the recipients the same
|
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|
||||
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|
||||
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|
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|
||||
Developers that use the GNU GPL protect your rights with two steps:
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||||
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|
||||
giving you legal permission to copy, distribute and/or modify it.
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|
||||
For the developers' and authors' protection, the GPL clearly explains
|
||||
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|
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changed, so that their problems will not be attributed erroneously to
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||||
authors of previous versions.
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|
||||
Some devices are designed to deny users access to install or run
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|
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|
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|
||||
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|
||||
Finally, every program is threatened constantly by software patents.
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States should not allow patents to restrict development and use of
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|
||||
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||||
The precise terms and conditions for copying, distribution and
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||||
modification follow.
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|
||||
TERMS AND CONDITIONS
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||||
|
||||
0. Definitions.
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||||
|
||||
"This License" refers to version 3 of the GNU General Public License.
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||||
|
||||
"Copyright" also means copyright-like laws that apply to other kinds of
|
||||
works, such as semiconductor masks.
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|
||||
"The Program" refers to any copyrightable work licensed under this
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To "modify" a work means to copy from or adapt all or part of the work
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A "covered work" means either the unmodified Program or a work based
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||||
To "propagate" a work means to do anything with it that, without
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||||
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To "convey" a work means any kind of propagation that enables other
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An interactive user interface displays "Appropriate Legal Notices"
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The "source code" for a work means the preferred form of the work
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A "Standard Interface" means an interface that either is an official
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||||
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The "System Libraries" of an executable work include anything, other
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The "Corresponding Source" for a work in object code form means all
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||||
The Corresponding Source need not include anything that users
|
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||||
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||||
|
||||
The Corresponding Source for a work in source code form is that
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||||
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|
||||
|
||||
2. Basic Permissions.
|
||||
|
||||
All rights granted under this License are granted for the term of
|
||||
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|
||||
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|
||||
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|
||||
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|
||||
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|
||||
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||||
|
||||
You may make, run and propagate covered works that you do not
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||||
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|
||||
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|
||||
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|
||||
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|
||||
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|
||||
not control copyright. Those thus making or running the covered works
|
||||
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|
||||
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|
||||
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||||
Conveying under any other circumstances is permitted solely under
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||||
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|
||||
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||||
|
||||
3. Protecting Users' Legal Rights From Anti-Circumvention Law.
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|
||||
No covered work shall be deemed part of an effective technological
|
||||
measure under any applicable law fulfilling obligations under article
|
||||
11 of the WIPO copyright treaty adopted on 20 December 1996, or
|
||||
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||||
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||||
|
||||
When you convey a covered work, you waive any legal power to forbid
|
||||
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|
||||
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|
||||
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|
||||
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|
||||
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|
||||
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||||
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||||
4. Conveying Verbatim Copies.
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||||
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||||
You may convey verbatim copies of the Program's source code as you
|
||||
receive it, in any medium, provided that you conspicuously and
|
||||
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|
||||
keep intact all notices stating that this License and any
|
||||
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|
||||
keep intact all notices of the absence of any warranty; and give all
|
||||
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||||
|
||||
You may charge any price or no price for each copy that you convey,
|
||||
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||||
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||||
5. Conveying Modified Source Versions.
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||||
|
||||
You may convey a work based on the Program, or the modifications to
|
||||
produce it from the Program, in the form of source code under the
|
||||
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|
||||
|
||||
a) The work must carry prominent notices stating that you modified
|
||||
it, and giving a relevant date.
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||||
|
||||
b) The work must carry prominent notices stating that it is
|
||||
released under this License and any conditions added under section
|
||||
7. This requirement modifies the requirement in section 4 to
|
||||
"keep intact all notices".
|
||||
|
||||
c) You must license the entire work, as a whole, under this
|
||||
License to anyone who comes into possession of a copy. This
|
||||
License will therefore apply, along with any applicable section 7
|
||||
additional terms, to the whole of the work, and all its parts,
|
||||
regardless of how they are packaged. This License gives no
|
||||
permission to license the work in any other way, but it does not
|
||||
invalidate such permission if you have separately received it.
|
||||
|
||||
d) If the work has interactive user interfaces, each must display
|
||||
Appropriate Legal Notices; however, if the Program has interactive
|
||||
interfaces that do not display Appropriate Legal Notices, your
|
||||
work need not make them do so.
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||||
|
||||
A compilation of a covered work with other separate and independent
|
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works, which are not by their nature extensions of the covered work,
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||||
and which are not combined with it such as to form a larger program,
|
||||
in or on a volume of a storage or distribution medium, is called an
|
||||
"aggregate" if the compilation and its resulting copyright are not
|
||||
used to limit the access or legal rights of the compilation's users
|
||||
beyond what the individual works permit. Inclusion of a covered work
|
||||
in an aggregate does not cause this License to apply to the other
|
||||
parts of the aggregate.
|
||||
|
||||
6. Conveying Non-Source Forms.
|
||||
|
||||
You may convey a covered work in object code form under the terms
|
||||
of sections 4 and 5, provided that you also convey the
|
||||
machine-readable Corresponding Source under the terms of this License,
|
||||
in one of these ways:
|
||||
|
||||
a) Convey the object code in, or embodied in, a physical product
|
||||
(including a physical distribution medium), accompanied by the
|
||||
Corresponding Source fixed on a durable physical medium
|
||||
customarily used for software interchange.
|
||||
|
||||
b) Convey the object code in, or embodied in, a physical product
|
||||
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|
||||
written offer, valid for at least three years and valid for as
|
||||
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|
||||
model, to give anyone who possesses the object code either (1) a
|
||||
copy of the Corresponding Source for all the software in the
|
||||
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|
||||
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|
||||
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|
||||
conveying of source, or (2) access to copy the
|
||||
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||||
|
||||
c) Convey individual copies of the object code with a copy of the
|
||||
written offer to provide the Corresponding Source. This
|
||||
alternative is allowed only occasionally and noncommercially, and
|
||||
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||||
with subsection 6b.
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||||
|
||||
d) Convey the object code by offering access from a designated
|
||||
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|
||||
Corresponding Source in the same way through the same place at no
|
||||
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|
||||
Corresponding Source along with the object code. If the place to
|
||||
copy the object code is a network server, the Corresponding Source
|
||||
may be on a different server (operated by you or a third party)
|
||||
that supports equivalent copying facilities, provided you maintain
|
||||
clear directions next to the object code saying where to find the
|
||||
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|
||||
Corresponding Source, you remain obligated to ensure that it is
|
||||
available for as long as needed to satisfy these requirements.
|
||||
|
||||
e) Convey the object code using peer-to-peer transmission, provided
|
||||
you inform other peers where the object code and Corresponding
|
||||
Source of the work are being offered to the general public at no
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||||
charge under subsection 6d.
|
||||
|
||||
A separable portion of the object code, whose source code is excluded
|
||||
from the Corresponding Source as a System Library, need not be
|
||||
included in conveying the object code work.
|
||||
|
||||
A "User Product" is either (1) a "consumer product", which means any
|
||||
tangible personal property which is normally used for personal, family,
|
||||
or household purposes, or (2) anything designed or sold for incorporation
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||||
into a dwelling. In determining whether a product is a consumer product,
|
||||
doubtful cases shall be resolved in favor of coverage. For a particular
|
||||
product received by a particular user, "normally used" refers to a
|
||||
typical or common use of that class of product, regardless of the status
|
||||
of the particular user or of the way in which the particular user
|
||||
actually uses, or expects or is expected to use, the product. A product
|
||||
is a consumer product regardless of whether the product has substantial
|
||||
commercial, industrial or non-consumer uses, unless such uses represent
|
||||
the only significant mode of use of the product.
|
||||
|
||||
"Installation Information" for a User Product means any methods,
|
||||
procedures, authorization keys, or other information required to install
|
||||
and execute modified versions of a covered work in that User Product from
|
||||
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|
||||
suffice to ensure that the continued functioning of the modified object
|
||||
code is in no case prevented or interfered with solely because
|
||||
modification has been made.
|
||||
|
||||
If you convey an object code work under this section in, or with, or
|
||||
specifically for use in, a User Product, and the conveying occurs as
|
||||
part of a transaction in which the right of possession and use of the
|
||||
User Product is transferred to the recipient in perpetuity or for a
|
||||
fixed term (regardless of how the transaction is characterized), the
|
||||
Corresponding Source conveyed under this section must be accompanied
|
||||
by the Installation Information. But this requirement does not apply
|
||||
if neither you nor any third party retains the ability to install
|
||||
modified object code on the User Product (for example, the work has
|
||||
been installed in ROM).
|
||||
|
||||
The requirement to provide Installation Information does not include a
|
||||
requirement to continue to provide support service, warranty, or updates
|
||||
for a work that has been modified or installed by the recipient, or for
|
||||
the User Product in which it has been modified or installed. Access to a
|
||||
network may be denied when the modification itself materially and
|
||||
adversely affects the operation of the network or violates the rules and
|
||||
protocols for communication across the network.
|
||||
|
||||
Corresponding Source conveyed, and Installation Information provided,
|
||||
in accord with this section must be in a format that is publicly
|
||||
documented (and with an implementation available to the public in
|
||||
source code form), and must require no special password or key for
|
||||
unpacking, reading or copying.
|
||||
|
||||
7. Additional Terms.
|
||||
|
||||
"Additional permissions" are terms that supplement the terms of this
|
||||
License by making exceptions from one or more of its conditions.
|
||||
Additional permissions that are applicable to the entire Program shall
|
||||
be treated as though they were included in this License, to the extent
|
||||
that they are valid under applicable law. If additional permissions
|
||||
apply only to part of the Program, that part may be used separately
|
||||
under those permissions, but the entire Program remains governed by
|
||||
this License without regard to the additional permissions.
|
||||
|
||||
When you convey a copy of a covered work, you may at your option
|
||||
remove any additional permissions from that copy, or from any part of
|
||||
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|
||||
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|
||||
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|
||||
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|
||||
|
||||
Notwithstanding any other provision of this License, for material you
|
||||
add to a covered work, you may (if authorized by the copyright holders of
|
||||
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|
||||
|
||||
a) Disclaiming warranty or limiting liability differently from the
|
||||
terms of sections 15 and 16 of this License; or
|
||||
|
||||
b) Requiring preservation of specified reasonable legal notices or
|
||||
author attributions in that material or in the Appropriate Legal
|
||||
Notices displayed by works containing it; or
|
||||
|
||||
c) Prohibiting misrepresentation of the origin of that material, or
|
||||
requiring that modified versions of such material be marked in
|
||||
reasonable ways as different from the original version; or
|
||||
|
||||
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|
||||
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||||
|
||||
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|
||||
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||||
|
||||
f) Requiring indemnification of licensors and authors of that
|
||||
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|
||||
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|
||||
any liability that these contractual assumptions directly impose on
|
||||
those licensors and authors.
|
||||
|
||||
All other non-permissive additional terms are considered "further
|
||||
restrictions" within the meaning of section 10. If the Program as you
|
||||
received it, or any part of it, contains a notice stating that it is
|
||||
governed by this License along with a term that is a further
|
||||
restriction, you may remove that term. If a license document contains
|
||||
a further restriction but permits relicensing or conveying under this
|
||||
License, you may add to a covered work material governed by the terms
|
||||
of that license document, provided that the further restriction does
|
||||
not survive such relicensing or conveying.
|
||||
|
||||
If you add terms to a covered work in accord with this section, you
|
||||
must place, in the relevant source files, a statement of the
|
||||
additional terms that apply to those files, or a notice indicating
|
||||
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|
||||
|
||||
Additional terms, permissive or non-permissive, may be stated in the
|
||||
form of a separately written license, or stated as exceptions;
|
||||
the above requirements apply either way.
|
||||
|
||||
8. Termination.
|
||||
|
||||
You may not propagate or modify a covered work except as expressly
|
||||
provided under this License. Any attempt otherwise to propagate or
|
||||
modify it is void, and will automatically terminate your rights under
|
||||
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|
||||
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|
||||
|
||||
However, if you cease all violation of this License, then your
|
||||
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|
||||
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|
||||
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|
||||
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|
||||
prior to 60 days after the cessation.
|
||||
|
||||
Moreover, your license from a particular copyright holder is
|
||||
reinstated permanently if the copyright holder notifies you of the
|
||||
violation by some reasonable means, this is the first time you have
|
||||
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|
||||
copyright holder, and you cure the violation prior to 30 days after
|
||||
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|
||||
|
||||
Termination of your rights under this section does not terminate the
|
||||
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|
||||
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|
||||
reinstated, you do not qualify to receive new licenses for the same
|
||||
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|
||||
|
||||
9. Acceptance Not Required for Having Copies.
|
||||
|
||||
You are not required to accept this License in order to receive or
|
||||
run a copy of the Program. Ancillary propagation of a covered work
|
||||
occurring solely as a consequence of using peer-to-peer transmission
|
||||
to receive a copy likewise does not require acceptance. However,
|
||||
nothing other than this License grants you permission to propagate or
|
||||
modify any covered work. These actions infringe copyright if you do
|
||||
not accept this License. Therefore, by modifying or propagating a
|
||||
covered work, you indicate your acceptance of this License to do so.
|
||||
|
||||
10. Automatic Licensing of Downstream Recipients.
|
||||
|
||||
Each time you convey a covered work, the recipient automatically
|
||||
receives a license from the original licensors, to run, modify and
|
||||
propagate that work, subject to this License. You are not responsible
|
||||
for enforcing compliance by third parties with this License.
|
||||
|
||||
An "entity transaction" is a transaction transferring control of an
|
||||
organization, or substantially all assets of one, or subdividing an
|
||||
organization, or merging organizations. If propagation of a covered
|
||||
work results from an entity transaction, each party to that
|
||||
transaction who receives a copy of the work also receives whatever
|
||||
licenses to the work the party's predecessor in interest had or could
|
||||
give under the previous paragraph, plus a right to possession of the
|
||||
Corresponding Source of the work from the predecessor in interest, if
|
||||
the predecessor has it or can get it with reasonable efforts.
|
||||
|
||||
You may not impose any further restrictions on the exercise of the
|
||||
rights granted or affirmed under this License. For example, you may
|
||||
not impose a license fee, royalty, or other charge for exercise of
|
||||
rights granted under this License, and you may not initiate litigation
|
||||
(including a cross-claim or counterclaim in a lawsuit) alleging that
|
||||
any patent claim is infringed by making, using, selling, offering for
|
||||
sale, or importing the Program or any portion of it.
|
||||
|
||||
11. Patents.
|
||||
|
||||
A "contributor" is a copyright holder who authorizes use under this
|
||||
License of the Program or a work on which the Program is based. The
|
||||
work thus licensed is called the contributor's "contributor version".
|
||||
|
||||
A contributor's "essential patent claims" are all patent claims
|
||||
owned or controlled by the contributor, whether already acquired or
|
||||
hereafter acquired, that would be infringed by some manner, permitted
|
||||
by this License, of making, using, or selling its contributor version,
|
||||
but do not include claims that would be infringed only as a
|
||||
consequence of further modification of the contributor version. For
|
||||
purposes of this definition, "control" includes the right to grant
|
||||
patent sublicenses in a manner consistent with the requirements of
|
||||
this License.
|
||||
|
||||
Each contributor grants you a non-exclusive, worldwide, royalty-free
|
||||
patent license under the contributor's essential patent claims, to
|
||||
make, use, sell, offer for sale, import and otherwise run, modify and
|
||||
propagate the contents of its contributor version.
|
||||
|
||||
In the following three paragraphs, a "patent license" is any express
|
||||
agreement or commitment, however denominated, not to enforce a patent
|
||||
(such as an express permission to practice a patent or covenant not to
|
||||
sue for patent infringement). To "grant" such a patent license to a
|
||||
party means to make such an agreement or commitment not to enforce a
|
||||
patent against the party.
|
||||
|
||||
If you convey a covered work, knowingly relying on a patent license,
|
||||
and the Corresponding Source of the work is not available for anyone
|
||||
to copy, free of charge and under the terms of this License, through a
|
||||
publicly available network server or other readily accessible means,
|
||||
then you must either (1) cause the Corresponding Source to be so
|
||||
available, or (2) arrange to deprive yourself of the benefit of the
|
||||
patent license for this particular work, or (3) arrange, in a manner
|
||||
consistent with the requirements of this License, to extend the patent
|
||||
license to downstream recipients. "Knowingly relying" means you have
|
||||
actual knowledge that, but for the patent license, your conveying the
|
||||
covered work in a country, or your recipient's use of the covered work
|
||||
in a country, would infringe one or more identifiable patents in that
|
||||
country that you have reason to believe are valid.
|
||||
|
||||
If, pursuant to or in connection with a single transaction or
|
||||
arrangement, you convey, or propagate by procuring conveyance of, a
|
||||
covered work, and grant a patent license to some of the parties
|
||||
receiving the covered work authorizing them to use, propagate, modify
|
||||
or convey a specific copy of the covered work, then the patent license
|
||||
you grant is automatically extended to all recipients of the covered
|
||||
work and works based on it.
|
||||
|
||||
A patent license is "discriminatory" if it does not include within
|
||||
the scope of its coverage, prohibits the exercise of, or is
|
||||
conditioned on the non-exercise of one or more of the rights that are
|
||||
specifically granted under this License. You may not convey a covered
|
||||
work if you are a party to an arrangement with a third party that is
|
||||
in the business of distributing software, under which you make payment
|
||||
to the third party based on the extent of your activity of conveying
|
||||
the work, and under which the third party grants, to any of the
|
||||
parties who would receive the covered work from you, a discriminatory
|
||||
patent license (a) in connection with copies of the covered work
|
||||
conveyed by you (or copies made from those copies), or (b) primarily
|
||||
for and in connection with specific products or compilations that
|
||||
contain the covered work, unless you entered into that arrangement,
|
||||
or that patent license was granted, prior to 28 March 2007.
|
||||
|
||||
Nothing in this License shall be construed as excluding or limiting
|
||||
any implied license or other defenses to infringement that may
|
||||
otherwise be available to you under applicable patent law.
|
||||
|
||||
12. No Surrender of Others' Freedom.
|
||||
|
||||
If conditions are imposed on you (whether by court order, agreement or
|
||||
otherwise) that contradict the conditions of this License, they do not
|
||||
excuse you from the conditions of this License. If you cannot convey a
|
||||
covered work so as to satisfy simultaneously your obligations under this
|
||||
License and any other pertinent obligations, then as a consequence you may
|
||||
not convey it at all. For example, if you agree to terms that obligate you
|
||||
to collect a royalty for further conveying from those to whom you convey
|
||||
the Program, the only way you could satisfy both those terms and this
|
||||
License would be to refrain entirely from conveying the Program.
|
||||
|
||||
13. Use with the GNU Affero General Public License.
|
||||
|
||||
Notwithstanding any other provision of this License, you have
|
||||
permission to link or combine any covered work with a work licensed
|
||||
under version 3 of the GNU Affero General Public License into a single
|
||||
combined work, and to convey the resulting work. The terms of this
|
||||
License will continue to apply to the part which is the covered work,
|
||||
but the special requirements of the GNU Affero General Public License,
|
||||
section 13, concerning interaction through a network will apply to the
|
||||
combination as such.
|
||||
|
||||
14. Revised Versions of this License.
|
||||
|
||||
The Free Software Foundation may publish revised and/or new versions of
|
||||
the GNU General Public License from time to time. Such new versions will
|
||||
be similar in spirit to the present version, but may differ in detail to
|
||||
address new problems or concerns.
|
||||
|
||||
Each version is given a distinguishing version number. If the
|
||||
Program specifies that a certain numbered version of the GNU General
|
||||
Public License "or any later version" applies to it, you have the
|
||||
option of following the terms and conditions either of that numbered
|
||||
version or of any later version published by the Free Software
|
||||
Foundation. If the Program does not specify a version number of the
|
||||
GNU General Public License, you may choose any version ever published
|
||||
by the Free Software Foundation.
|
||||
|
||||
If the Program specifies that a proxy can decide which future
|
||||
versions of the GNU General Public License can be used, that proxy's
|
||||
public statement of acceptance of a version permanently authorizes you
|
||||
to choose that version for the Program.
|
||||
|
||||
Later license versions may give you additional or different
|
||||
permissions. However, no additional obligations are imposed on any
|
||||
author or copyright holder as a result of your choosing to follow a
|
||||
later version.
|
||||
|
||||
15. Disclaimer of Warranty.
|
||||
|
||||
THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY
|
||||
APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT
|
||||
HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY
|
||||
OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO,
|
||||
THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR
|
||||
PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM
|
||||
IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF
|
||||
ALL NECESSARY SERVICING, REPAIR OR CORRECTION.
|
||||
|
||||
16. Limitation of Liability.
|
||||
|
||||
IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
|
||||
WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS
|
||||
THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY
|
||||
GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE
|
||||
USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF
|
||||
DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD
|
||||
PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS),
|
||||
EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF
|
||||
SUCH DAMAGES.
|
||||
|
||||
17. Interpretation of Sections 15 and 16.
|
||||
|
||||
If the disclaimer of warranty and limitation of liability provided
|
||||
above cannot be given local legal effect according to their terms,
|
||||
reviewing courts shall apply local law that most closely approximates
|
||||
an absolute waiver of all civil liability in connection with the
|
||||
Program, unless a warranty or assumption of liability accompanies a
|
||||
copy of the Program in return for a fee.
|
||||
|
||||
END OF TERMS AND CONDITIONS
|
||||
|
||||
How to Apply These Terms to Your New Programs
|
||||
|
||||
If you develop a new program, and you want it to be of the greatest
|
||||
possible use to the public, the best way to achieve this is to make it
|
||||
free software which everyone can redistribute and change under these terms.
|
||||
|
||||
To do so, attach the following notices to the program. It is safest
|
||||
to attach them to the start of each source file to most effectively
|
||||
state the exclusion of warranty; and each file should have at least
|
||||
the "copyright" line and a pointer to where the full notice is found.
|
||||
|
||||
<one line to give the program's name and a brief idea of what it does.>
|
||||
Copyright (C) <year> <name of author>
|
||||
|
||||
This program is free software: you can redistribute it and/or modify
|
||||
it under the terms of the GNU General Public License as published by
|
||||
the Free Software Foundation, either version 3 of the License, or
|
||||
(at your option) any later version.
|
||||
|
||||
This program is distributed in the hope that it will be useful,
|
||||
but WITHOUT ANY WARRANTY; without even the implied warranty of
|
||||
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
||||
GNU General Public License for more details.
|
||||
|
||||
You should have received a copy of the GNU General Public License
|
||||
along with this program. If not, see <http://www.gnu.org/licenses/>.
|
||||
|
||||
Also add information on how to contact you by electronic and paper mail.
|
||||
|
||||
If the program does terminal interaction, make it output a short
|
||||
notice like this when it starts in an interactive mode:
|
||||
|
||||
<program> Copyright (C) <year> <name of author>
|
||||
This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
|
||||
This is free software, and you are welcome to redistribute it
|
||||
under certain conditions; type `show c' for details.
|
||||
|
||||
The hypothetical commands `show w' and `show c' should show the appropriate
|
||||
parts of the General Public License. Of course, your program's commands
|
||||
might be different; for a GUI interface, you would use an "about box".
|
||||
|
||||
You should also get your employer (if you work as a programmer) or school,
|
||||
if any, to sign a "copyright disclaimer" for the program, if necessary.
|
||||
For more information on this, and how to apply and follow the GNU GPL, see
|
||||
<http://www.gnu.org/licenses/>.
|
||||
|
||||
The GNU General Public License does not permit incorporating your program
|
||||
into proprietary programs. If your program is a subroutine library, you
|
||||
may consider it more useful to permit linking proprietary applications with
|
||||
the library. If this is what you want to do, use the GNU Lesser General
|
||||
Public License instead of this License. But first, please read
|
||||
<http://www.gnu.org/philosophy/why-not-lgpl.html>.
|
||||
|
81
doc/changelog.txt
Normal file
81
doc/changelog.txt
Normal file
|
@ -0,0 +1,81 @@
|
|||
*******************************************************************************
|
||||
|
||||
Libre Media Server - An Open source Media Server.
|
||||
(c) Santiago Noreña 2012-2013
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Developing and support: libremediaserver@gmail.com
|
||||
|
||||
Code: http://code.google.com/p/libremediaserver
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
This program is free software; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation; either version 3 of the License, or (at your option) any later version.
|
||||
|
||||
This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details.
|
||||
|
||||
You should have received a copy of the GNU General Public License along with this program; if not, write to the Free Software Foundation, Inc., 59 Temple Place - Suite 330, Boston, MA 02111-1307, USA.
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Lbre Media Server ChangeLog
|
||||
|
||||
*******************************************************************************
|
||||
0.01 (8/1/2013) SVN Rev 1:
|
||||
|
||||
+ Audio en un proceso independiente. Reproducción de .oggs
|
||||
+ Nuevos tipos de Alpha Blending. Nuevo canal DMX en la personalidad de video para el tipo de Alpha.
|
||||
+ Preview de capas y mezcla final en el GUI.
|
||||
+ Cambios en la GUI para acoger los dos procesos independientes de Pure Data.
|
||||
+ Muchos más mensajes de error y de estado
|
||||
+ Añadir comprobación de inicio para no repetir mensajes de error en el arranque.
|
||||
+ CTIP/MSEx 1.0. Thumbs de videos, video preview.
|
||||
+ Cambio de nombre de "Pure Media Server" a "Libre Media Server". Primera beta.
|
||||
+ Cambio de nombre de la clase "MediaServer" a "msex".
|
||||
+ Mejoras en ola2pd.
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Pure Media Server ChangeLog:
|
||||
|
||||
* 0.0.5 (20-11-2012)
|
||||
- Interface en Qt y C++. PD y OLA se ejecutan desde ella.
|
||||
- Descontinuado el audio.
|
||||
- Mapeo por capa.
|
||||
|
||||
* 0.0.4
|
||||
- Añadidos efectos
|
||||
- 8 capas
|
||||
- Selección de encendido por capa
|
||||
- Añadido medidor de CPU0
|
||||
- Cambio de pdp_qt por pix_filmQT (se pierde la reproducción de sonido)
|
||||
- Se separan los parches de audio y de video
|
||||
|
||||
* 0.0.3 (2-7-2012) SVN Rev 114
|
||||
- Posición en 16 bits
|
||||
- Control mediante Open Lighting Arquitecture y external ola2pd
|
||||
- 64 canales reservados por capa
|
||||
- Añadida carpeta resources para archivos de configuración de otros programas (QLC, MagicQ) que controlan PMS
|
||||
- Correción de keystone/videomapping por capar
|
||||
- Reproducción de audio
|
||||
- Actualización del método de instalación en instalación.txt (todavía falta más trabajo en él).
|
||||
- Cambiados valores de locate para hacerlos más sensibles
|
||||
- 4 capas
|
||||
|
||||
* 0.02 (9-6-2011) SVN Rev 58
|
||||
- Direccionamiento de las capas (issue 14).
|
||||
- Metodos de creacion y destruccion de nodo ArtNet. Configuracion del nodo por patch dmx.pd (issue 15).
|
||||
- imágenes (issue 5).
|
||||
- Metodos de reproduccion auto (issue 8). pix_film_player.pd
|
||||
- Nuevo subpatch de control manual
|
||||
- Añadidos canales DMX de tamaños por ejes (XYZ), rotacion y posicion (issue 9)
|
||||
- Textos - Nuevo archivo Gem compilado con soporte de fuentes (issue 4)
|
||||
|
||||
|
||||
* 0.01 (16-05-2011)
|
||||
- Primera versión liberada!
|
||||
- 2 capas de video con control de reproducción avanzado mediante pix_film_player.
|
||||
- Control de Alpha y Color RGB
|
||||
- Control por ArtNet mediante Artnetin, sólo en el universo 0, subnet 0.
|
||||
|
100
doc/instalacion.txt
Normal file
100
doc/instalacion.txt
Normal file
|
@ -0,0 +1,100 @@
|
|||
*******************************************************************************
|
||||
|
||||
Libre Media Server - An Open source Media Server.
|
||||
(c) Santiago Noreña 2012-2013
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Developing and support: libremediaserver@gmail.com
|
||||
|
||||
Code: http://code.google.com/p/libremediaserver
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
This program is free software; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation; either version 3 of the License, or (at your option) any later version.
|
||||
|
||||
This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details.
|
||||
|
||||
You should have received a copy of the GNU General Public License along with this program; if not, write to the Free Software Foundation, Inc., 59 Temple Place - Suite 330, Boston, MA 02111-1307, USA.
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
0. Requerimientos
|
||||
|
||||
LMS está desarrollado y probado en Debian Wheezy y Ubuntu Precise 12.04.
|
||||
|
||||
Necesitas una tarjeta gráfica OpenGL y que los drivers para Xorg con aceleración por hardware estén correctamente instalados. Ejecutando "glxgears" en una terminal debería de abrir una ventana con tres engranajes girando. Si no es así, revisa la documentación de tu distribución.
|
||||
|
||||
Para resolver dependencias es necesario tener conexión a internet en el ordenador durante el proceso de instalación.
|
||||
|
||||
PMS se comunicaa con Pure Data mediante puertos TCP, del 9195 al 9198. Open Lighting Arqitecure utiliza el puerto 9090 para su servidor web. Es necesario que estos puertos no estén siendo utilizados por otras aplicaciones.
|
||||
|
||||
1. Instala todas las dependencias.
|
||||
|
||||
Abre una terminal, cd al directorio scripts. Ejecuta como root
|
||||
|
||||
./install_wheezy.sh
|
||||
|
||||
o
|
||||
|
||||
./install_precise.sh
|
||||
|
||||
dependiendo de la distribución en que estés. Confirma Sí cuando te pregunte confirmación para descargas archivos y asegúrate de estar conectado a internet. Luego pincha en No cuando te pregunte si quieres arrancar el demonio OLA en el inicio.
|
||||
|
||||
2. Configuración
|
||||
|
||||
Este proceso sólo es necesario la primera vez que se ejecuta LMS.
|
||||
|
||||
a. Ejecuta el archivo libremediaserver.
|
||||
|
||||
b. Abre un navegador web y dirígete a localhost:9090.
|
||||
|
||||
c. Pincha en el botón "add universe"
|
||||
|
||||
d. Marca en la casilla del protocolo de red o dispositivo por el que quieras introducir datos. Asegúrate de que en "Direction" sea "input".
|
||||
|
||||
Si el protocolo elegido es ArtNet en "Universe Id" introduce el número del universo ArtNet por el que quieres recibir. La Net y la Subnet de Artnet se pueden cambiar en el archivo ~/.ola/ola-artnet.conf, por defecto es la Net 0 y la SubNet 0. Este número lo tienes que introducir luego en LMS en el campo "OLA universe". En Universe Name puedes introducir un nombre familiar, por ejemplo "video".
|
||||
|
||||
Puedes confirmar que está llegando información pinchando en el universo en el menú de la izquierda y luego en la pestaña "DMX Monitor". Puedes cerrar el navegador.
|
||||
|
||||
Edita con un editor de textos el archivo "make_thumbs.sh" en el directorio scripts y cámbia en la primera línea el path a tu directorio de medias. Guarda y cierra.
|
||||
Ejecuta el archivo make_thumbs.sh desde una terminal.
|
||||
|
||||
En LibreMediaServer, pincha en "Change Media Path" y elige el directorio donde estén tus medias. Configura las direcciones DMX de cada capa según el patch de la mesa.
|
||||
|
||||
Puedes grabar la configuración ahora o esperar a que termine el programa. El programa al salir siempre guarda la configuración, y la abre automáticamente cuando se inicia.
|
||||
|
||||
4. Compiling.
|
||||
|
||||
If you have troubles, or you are in another distro, you can try compiling from the source code. It's not the easiest way...
|
||||
|
||||
# To compile and install flext
|
||||
|
||||
wget http://crca.ucsd.edu/~msp/Software/pd-0.43-2.src.tar.gz
|
||||
tar -xf pd-0.43-2.src.tar.gz
|
||||
sudo apt-get install subversion
|
||||
svn co https://svn.grrrr.org/ext/trunk/flext flext
|
||||
cd flext
|
||||
./build.sh pd gcc
|
||||
Edit the paths in file ./buildsys/cnfg-lnx-gcc.txt
|
||||
./build sh pd gcc
|
||||
sudo ./build.sh pd gcc install
|
||||
cd ..
|
||||
|
||||
# Add enviroment path variables to .bashrc
|
||||
|
||||
echo "export LD_LIBRARY_PATH=$LD_LIBRARY_PATH:/usr/local/lib" >> ~/.bashrc
|
||||
echo "export CPLUS_INCLUDE_PATH=$CPLUS_INCLUDE_PATH:/usr/local/include" >> ~/.bashrc
|
||||
echo "export C_INCLUDE_PATH=$C_INCLUDE_PATH:/usr/local/include" >> ~/.bashrc
|
||||
|
||||
# Build and install ola2pd
|
||||
|
||||
cd externals/ola2pd/
|
||||
/path/to/flext/build.sh pd gcc
|
||||
/path/to/flext/build.sh pd gcc install
|
||||
|
||||
# Build and install Libre Media Server
|
||||
|
||||
svn checkout http://puremediaserver.googlecode.com/svn/trunk/ puremediaserver-read-only
|
||||
Open the file libremediaserver.pro with QtCreator and compile it.
|
||||
|
22
doc/install.txt
Normal file
22
doc/install.txt
Normal file
|
@ -0,0 +1,22 @@
|
|||
*******************************************************************************
|
||||
|
||||
Libre Media Server - An Open source Media Server.
|
||||
(c) Santiago Noreña 2012-2013
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Developing and support: libremediaserver@gmail.com
|
||||
|
||||
Code: http://code.google.com/p/libremediaserver
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
This program is free software; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation; either version 3 of the License, or (at your option) any later version.
|
||||
|
||||
This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details.
|
||||
|
||||
You should have received a copy of the GNU General Public License along with this program; if not, write to the Free Software Foundation, Inc., 59 Temple Place - Suite 330, Boston, MA 02111-1307, USA.
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Sorry, only in spanish at the moment: instalacion.txt
|
56
doc/leeme.txt
Normal file
56
doc/leeme.txt
Normal file
|
@ -0,0 +1,56 @@
|
|||
*******************************************************************************
|
||||
|
||||
Libre Media Server - An Open source Media Server.
|
||||
(c) Santiago Noreña 2012-2013
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Developing and support: libremediaserver@gmail.com
|
||||
|
||||
Code: http://code.google.com/p/libremediaserver
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
This program is free software; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation; either version 3 of the License, or (at your option) any later version.
|
||||
|
||||
This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details.
|
||||
|
||||
You should have received a copy of the GNU General Public License along with this program; if not, write to the Free Software Foundation, Inc., 59 Temple Place - Suite 330, Boston, MA 02111-1307, USA.
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
LibreMediaServer es un programa para manejar visuales y audio en actuaciones escénicas, instalaciones, eventos, performances,..., basado en Software Libre.
|
||||
|
||||
El control de LMS se realiza mediante el Open Lighting Arquitecture, por lo que podemos usar cualquier protocolo de iluminación abierto (ArtNet, PathPort,
|
||||
ShowNet, ACN,...) o dispositivo DMX-USB (Enttec Pro, Velleman, Anyuma,...).
|
||||
|
||||
El motor gráfico y de audio es Pure Data con Gem.
|
||||
|
||||
LibreMediaServer funciona en GNU/Linux. Está testeado en Debian Wheezy y Ubuntu Precise 12.04, y debería funcionar en más distribuciones basadas
|
||||
en Debian.
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Características:
|
||||
|
||||
- 8 capas de video, imágenes o texto.
|
||||
- 8 capas de audio.
|
||||
- Playback avanzado.
|
||||
- Cada capa puede ser mapeada mediante 4 puntos de Bèzier.
|
||||
- Un montón de formatos de video: avi, mov, mpg, mp4, ogg.
|
||||
- Reproducción de audio en formato ogg.
|
||||
- Reproducción de imágenes en formato jpeg, tiff.
|
||||
- Efectos de Video.
|
||||
- Control de posición (en 16 bits), rotación en los 3 ejes, tamaño, y color por capa.
|
||||
- Máscaras Croma/Luma, pasa-altos y/o pasabajos en RGB.
|
||||
- Reproducción de textos a través de un fichero de texto, hasta 255 frases con
|
||||
hasta 255 fuentes distintas TrueType.
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Para instalar LMS vea instalacion.txt
|
||||
|
||||
Para usar LMS vea manual.txt
|
||||
|
||||
*******************************************************************************
|
||||
|
316
doc/manual.txt
Normal file
316
doc/manual.txt
Normal file
|
@ -0,0 +1,316 @@
|
|||
******************************
|
||||
Pure Media Server 0.0.6
|
||||
(c) Santiago Noreña 2012-2013
|
||||
puremediaserver at gmail dot com
|
||||
******************************
|
||||
|
||||
Lee instalacion.txt para el proceso de instalación.
|
||||
|
||||
******************************
|
||||
|
||||
Pure Media server es un programa para gestionar visuales en artes escénicas, eventos, performances, instalaciones,...
|
||||
|
||||
Se controla mediante el Open Lighting Arquitecture que soporta una gran variedad de protocolos y dispositivos estandard de iluminación: Artnet, ShowNet, PathPort, ACN, Enttec Open DMX Pro,... De momento la única opción de control es mediante el OLA.
|
||||
|
||||
Puedes controlarlo gratis con el MagicQ de ChamSys si no dispones de ninguna mesa o programa de iluminación. No es software libre, pero al menos es gratis. En la carpeta "MagicQ" hay un archivo de show y el archivo de personalidad.
|
||||
|
||||
El motor gráfico y de audio es Pure Data, que se ejecuta en background invisible al usuario. Ahora mismo podemos reproducir 255 carpetas con 255 videos cada una en cualquier formato en que esté el codec instalado en el sistema. Si lo puede leer en el reproductor de medios de gnome podrá reproducirlo PMS. También podemos reproducir fotos y textos. El reproductor de medios podemos variar la velocidad, ejecutarlo en distintas direcciones (hacia delante, hacia atrás, ping-pong), y en bucle o en un sólo disparo.
|
||||
|
||||
PMS tiene 8 capas de video o texto, cada dispone de una correción Bezier de 4 puntos, por lo que podemos mapear diferentes superficies, o lados de objetos. También podemos corregir el keystone mediante estos ajustes. Por supuesto, hay ajustes de color, posición, tamaño y rotación por cada capa.
|
||||
|
||||
Las mezclas entre capas se realizan mediante 6 canales: 3 canales son pasa altos RGB y otros 3 Pasabajos RGB, con lo que se puden hacer lumas y cromas. El orden de las capas se controla mediante el canal de posición Z: cuanto más grande sea más al fondo se encuentra. El dimmer también controla la opacidad, por lo que una capa al 100% bloqueará a las inferiores.
|
||||
|
||||
También podemos manejar 8 capas de audio, cada una reproduciendo un archivo .ogg. El control de volumen es en 16 bits de precisión y logarítmico, en equipos pequeños o auriculares no se oirá nada hasta el 50 0 60%.
|
||||
|
||||
El interface gráfico es muy simple, sólo sirve para manejar la configuración de Pure Data y sirve para ver el archivo que cada capa está reproduciendo. Tenemos dos pestañas: Una para la configuración de Video y otra para la de Audio, que se dberá patchear en la mesa independientemente. Como los controles son parecidos para las dos ventanas, las explicamos juntas. Empezando de arriba hacia abajo:
|
||||
|
||||
A. Caja de textos. Se muestran mensajes de estado y de error.
|
||||
|
||||
B. 8 Capas. Representan las 8 capas de video.
|
||||
B.1 Botón de activado de la capa. Si no está en on la capa no está activada y no renderiza, se quedará en la pantalla el último frame renderizado; desactivando no va a negro.
|
||||
B.2 Dirección DMX. Hay que introducir el primer canal DMX de la capa, la misma a la que se patcheó en la mesa.
|
||||
B.3 Etiqueta de media. Se muestra el archivo que está siendo reproducido en la capa.
|
||||
|
||||
C. Change Media Path. Cambia el path al árbol de directorios de los media. Este control es común para el video y el audio, sólo hace falta introducirlo una vez, aunque se muestr en las dos pestañas.
|
||||
|
||||
D. Video/Audio. Inicia o detiene los procesos de video y de audio. Abre o cierra la conexión con OLA.
|
||||
|
||||
F. ReadDMX. Empieza o termina la lectura de datos DMX
|
||||
|
||||
H. OLA Universe. El universo de Open Lighting Arquitecture que hemos configurado como entrada y al que el proceso escuchará. Ver instalacion.txt
|
||||
|
||||
G. Window. Crea y destruye la ventana de reproducción.
|
||||
|
||||
I. Window Position. Posición de la ventana de renderizado en pixeles x,y.
|
||||
|
||||
J. Window Size. Tamaño de la ventana de renderizado en pixeles x, y.
|
||||
|
||||
K. IP Adress. Dirección IP de la inerface que queremos usar. Dejar en 0.0.0.0 para todas las interfaces.
|
||||
|
||||
E. Init CITP/MSEx. Inicia el peer CITP y manda los thumbs si alguna mesa lo solicita.
|
||||
|
||||
El CITP/MSEx no funciona en el interface localhost. Sin embargo la recepción de datos ArtNet sí. Necesita tener un interface de red activo en el momento de lanzar el programa, pero después se puede desconectar. Se puede usar en el mismo ordenador PMS y MagicQLinux para controlarlo.
|
||||
|
||||
Generación de thumbs:
|
||||
|
||||
Es necesario generar lo thumbnails de tus medias para poder transmitirlos por CITP/MSEx. Lo puedes hacer mediante el fichero make_thumbs.sh en la carpeta scripts. Primero ábrelo con un editor de texto y edita el path a tus medias. Guarda, cierra, y ejecuta el archivo. Debería de crear una subcarpeta llamada thumbs por cada carpeta de medias, y en ella el thumbnail con el primer fotograma de cada archivo, con el mismo nombre, pero acabado en jpeg. En siguientes versiones intentaré integrar esto cuando se pulse el botón "Init CITP/MSEx"
|
||||
|
||||
La ventana de renderizado se muestra sobre todas las demás ventanas y sin que aparezca el cursor en ella. Si tenemos problemas en la configuración, por ejemplo nos quedamos sin ver el escritorio, siempre podemos llevar el cursor a la ventana de renderizado y presionar Escape para cerrarla. La posición de la ventana se configura con los controles "Window Position" y el tamaño de la ventana con "Window Size", los dos primero la x y después la y. Para hacer algo útil deberemos tener el escritorio extendido a un segundo monitor y configurar en estos controles los valores de ese monitor. Para aplicar cambios hay que cerrar la ventana y reabrirla.
|
||||
|
||||
******************************
|
||||
|
||||
Estructura de medias:
|
||||
|
||||
Los archivos de medios que utiliza PMS deben de estar ordenados en un árbol de ficheros. La dirección superior del árbol es la que se tiene que itnroducir en el archivo scripts/make_thumbs.sh y configurar en PMS mediante el botón "Change media Path".
|
||||
|
||||
El árbol de ficheros tiene el siguiente esquema:
|
||||
|
||||
+ media
|
||||
+ video
|
||||
+ 000-descripcion
|
||||
- 000-miloop.mov
|
||||
- 001-milooocool.avi
|
||||
- 002-mipelo.mpg
|
||||
...
|
||||
- 255-ultimo.avi
|
||||
|
||||
+ 001-otrodir
|
||||
- 000-otrapeli.mov
|
||||
- 001-maspelis.mov
|
||||
...
|
||||
- 255.ultimodelasegundacarpeta.mov
|
||||
+ 002-fuego
|
||||
- 000-Boladefuego.avi
|
||||
- 001-Murodefuego.avi
|
||||
...
|
||||
- 255-fuentedefuego.avi
|
||||
...
|
||||
|
||||
+ 255-ultimodir
|
||||
+255.ultimapeli.mov
|
||||
+ audio
|
||||
+ 000-mifichero.ogg
|
||||
|
||||
...
|
||||
|
||||
+ 255-miultimofichero.ogg
|
||||
+ fonts
|
||||
- 000-mifuente.ttf
|
||||
...
|
||||
- 255-miultimafuente.ttf
|
||||
+ images
|
||||
- 000-miprimerafoto.jpg
|
||||
...
|
||||
- 255-miultimafoto.jpg
|
||||
|
||||
Los números al principio de ficheros y directorios no son obligatorios, pero ayudan mucho a organizar el material. PMS busca por orden alfabético en los directorios/ficheros, y ese orden es el que hay que los valores de los canales Folder y File para reproducirlos.
|
||||
|
||||
******************************
|
||||
|
||||
Textos:
|
||||
|
||||
Puedes definir hasta 255 frases editando con un editor ASCII el fichero text.txt. El formato es:
|
||||
|
||||
1, Esto es una frase;
|
||||
2, El número es el valor del canal 6 de la capa folder;
|
||||
3, no se pueden usar comas;
|
||||
4, las frases tienen que acabar con punto y coma;
|
||||
|
||||
******************************
|
||||
|
||||
Listado de canales DMX:
|
||||
|
||||
PureMediaServer Video:
|
||||
|
||||
Entre paréntesis el valor normal de uso (locate).
|
||||
|
||||
1 Alpha/Dimmer (255)
|
||||
2 Rojo (127)
|
||||
3 Verde (127)
|
||||
4 Azul (127)
|
||||
5 Speed (40; esto se corresponde a 25 fps. El valor del canal son los milisegundos del metro, por lo que la inversa es el valor real de FPS).
|
||||
0-244: Velocidad
|
||||
245-249: Autodeteccion fps, una sola vez
|
||||
250-255: Autodeteccion fps, loop
|
||||
|
||||
En los modos auto el inicio y el fin del loop no son aplicables, se reproduce la película completa.
|
||||
|
||||
6 Directorio / Texto
|
||||
7 Archivo / Fuente
|
||||
8 Tipo de Media
|
||||
0-24: OFF
|
||||
25-49: Video
|
||||
50-75: Imagenes
|
||||
75-99: Texto
|
||||
9 Reproduccion: Valores en 100%
|
||||
00-10 Normal loop
|
||||
11-20 Back loop
|
||||
21-30 Ping-pong loop
|
||||
31-40 Normal una vez
|
||||
41-50 Back una vez
|
||||
51-60 Ping-Pong una vez
|
||||
61-70 Stop/pause
|
||||
71-80 Continue
|
||||
10 Inicio loop (0 principio peli- 255 final) (0)
|
||||
11 Final Loop (0 principio peli - 255 final) (255)
|
||||
12 Rotate X (0)
|
||||
13 Rotate Y (0)
|
||||
14 Rotate Z (0)
|
||||
15 Size X Size Font (127)
|
||||
16 Size Y (127)
|
||||
17 Z (127)
|
||||
18 X (127)
|
||||
19 Y (127)
|
||||
20 X Fino (127)
|
||||
21 Y Fino (127)
|
||||
|
||||
Los siguientes canales son usados para transparencias
|
||||
|
||||
Los High filtran los pixeles con ese y los convierte en transparente (croma)
|
||||
|
||||
22 Alpha High Red (255)
|
||||
23 Alpha High Green (255)
|
||||
24 Alpha High Blue (255)
|
||||
|
||||
Los Low filtran todo menos los pixel con ese valor (máscara)
|
||||
|
||||
25 Alpha Low Red (0)
|
||||
26 Alpha Low Green (0)
|
||||
27 Alpha Low Blue (0)
|
||||
|
||||
Los siguientes canales se usan para correción de keystone y videomapping. Hay configuración por capa, el resto de configuraciones de posición y tamaño se reajustarán dentro de la nueva capa
|
||||
|
||||
28 Corner Bottom Left X (0)
|
||||
29 Corner Bottom Left Y (0)
|
||||
30 Corner Top Left X (0)
|
||||
31 Corner Top Left Y (255)
|
||||
32 Corner Bottom Right X (255)
|
||||
33 Corner Bottom Right Y (0)
|
||||
34 Corner Top Right X (255)
|
||||
35 Corner Top Right Y (255)
|
||||
|
||||
Los siguientes canales son usados para control de efectos
|
||||
|
||||
36 Selección FX 1
|
||||
37 Selección FX 2
|
||||
38 Param 1 FX 1
|
||||
39 Param 2 FX 1
|
||||
40 Param 3 FX 1
|
||||
41 Param 4 FX 1
|
||||
42 Param 5 FX 1
|
||||
43 Param 6 FX 1
|
||||
44 Param 7 FX 1
|
||||
45 Param 8 FX 1
|
||||
|
||||
46 - Blending Mode. Este canal elige el tipo de mezcla entre capas. Se corresponde a los modos de mezcla OpenGL:
|
||||
|
||||
0: GL_ONE_MINUS_SRC_ALPHA;
|
||||
1: GL_ONE;
|
||||
2: GL_ZERO;
|
||||
3: GL_SRC_COLOR;
|
||||
4: GL_ONE_MINUS_SRC_COLOR; (Locate, mezcla normal)
|
||||
5: GL_DST_COLOR;
|
||||
6: GL_ONE_MINUS_DST_COLOR;
|
||||
7: GL_SRC_ALPHA;
|
||||
8: GL_ONE_MINUS_SRC_ALPHA;
|
||||
9: GL_DST_ALPHA;
|
||||
10: GL_ONE_MINUS_DST_ALPHA;
|
||||
11: GL_CONSTANT_COLOR;
|
||||
12: GL_ONE_MINUS_CONSTANT_COLOR;
|
||||
13: GL_CONSTANT_ALPHA;
|
||||
14: GL_ONE_MINUS_CONSTANT_ALPHA;
|
||||
15: GL_SRC_ALPHA_SATURATE;
|
||||
16: GL_SRC1_COLOR;
|
||||
17: GL_ONE_MINUS_SRC1_COLOR;
|
||||
18: GL_SRC1_ALPHA;
|
||||
19: GL_ONE_MINUS_SRC1_ALPHA;
|
||||
20: GL_ONE_MINUS_SRC_ALPHA;
|
||||
|
||||
Más información sobre los distintos tipos de blending en http://www.opengl.org/wiki/GLAPI/glBlendFunc.
|
||||
|
||||
******************************
|
||||
|
||||
Efectos Video:
|
||||
|
||||
0 - No effect
|
||||
1 - Bitmask
|
||||
Fx 1 All (255)
|
||||
Fx 2 Red (255)
|
||||
Fx 3 Green (255)
|
||||
Fx 4 Blue (255)
|
||||
2 - Halftone
|
||||
FX 1 Size
|
||||
FX 2 Angle
|
||||
FX 3 Smooth
|
||||
FX 4 Style
|
||||
3 - Rds
|
||||
FX 1 Method
|
||||
FX 2 Stride
|
||||
4 - Roll
|
||||
FX 1 Axis
|
||||
FX 2 Roll
|
||||
5 - Invert
|
||||
FX 1 On/Off
|
||||
6 - Scanline
|
||||
FX 1 Mode
|
||||
Fx 2 Interlace
|
||||
7 - Threshold
|
||||
FX 1 All
|
||||
FX 2 Red
|
||||
Fx 3 Green
|
||||
Fx 4 Blue
|
||||
8 - Metaimage
|
||||
FX 1 Cheap
|
||||
FX 2 Distance
|
||||
FX 3 Size
|
||||
9 - Refraction
|
||||
FX 1 Width
|
||||
FX 2 Height
|
||||
FX 3 Mag
|
||||
FX 4 Refract
|
||||
10 - Convolve
|
||||
FX 1 Escala
|
||||
FX 2 Modo (none, smooth, edge1, edge2)
|
||||
11 - Gain
|
||||
FX 1 Common
|
||||
FX 2 Red
|
||||
FX 3 Green
|
||||
FX 4 Blue
|
||||
12 - Lumaoffset
|
||||
FX 1 Fill On/Off
|
||||
FX 2 Smooth On/Off
|
||||
FX 3 Gap
|
||||
FX 4 Offset
|
||||
13 - tIIR
|
||||
FX 1 Feedback 1
|
||||
FX 2 Feedback 2
|
||||
FX 3 Feedback 3
|
||||
FX 4 Feedforward 1
|
||||
FX 5 Feedforward 2
|
||||
14 - rtx
|
||||
FX 1 Clamp discontinuity to the edge (On/Off)
|
||||
15 - Normalize
|
||||
No Params
|
||||
16 - Kaleidoskope
|
||||
FX 1 Segments
|
||||
FX 2 Source Angle
|
||||
FX 3 X
|
||||
FX 4 Y
|
||||
FX 5 cX
|
||||
FX 6 CY
|
||||
FX 7 RLP
|
||||
FX 8 SAP
|
||||
|
||||
**************
|
||||
|
||||
PureMediaServer Audio:
|
||||
|
||||
1 - Volumen Coarse
|
||||
2 - Pan
|
||||
3 - Folder
|
||||
4 - File
|
||||
5 - Playback
|
||||
6 - Control
|
||||
7 - Volume Fine
|
||||
8 - Entry Point Coarse - El valor de estos dos canales en centésimas de segundo.
|
||||
9 - Entry Point Fine
|
22
doc/manual_en.txt
Normal file
22
doc/manual_en.txt
Normal file
|
@ -0,0 +1,22 @@
|
|||
*******************************************************************************
|
||||
|
||||
Libre Media Server - An Open source Media Server.
|
||||
(c) Santiago Noreña 2012-2013
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Developing and support: libremediaserver@gmail.com
|
||||
|
||||
Code: http://code.google.com/p/libremediaserver
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
This program is free software; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation; either version 3 of the License, or (at your option) any later version.
|
||||
|
||||
This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details.
|
||||
|
||||
You should have received a copy of the GNU General Public License along with this program; if not, write to the Free Software Foundation, Inc., 59 Temple Place - Suite 330, Boston, MA 02111-1307, USA.
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Sorry, only in spanish at the moment: manual_es.txt
|
350
doc/manual_es.txt
Normal file
350
doc/manual_es.txt
Normal file
|
@ -0,0 +1,350 @@
|
|||
*******************************************************************************
|
||||
|
||||
Libre Media Server - An Open source Media Server.
|
||||
(c) Santiago Noreña 2012-2013
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Developing and support: libremediaserver@gmail.com
|
||||
|
||||
Code: http://code.google.com/p/libremediaserver
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
This program is free software; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation; either version 3 of the License, or (at your option) any later version.
|
||||
|
||||
This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details.
|
||||
|
||||
You should have received a copy of the GNU General Public License along with this program; if not, write to the Free Software Foundation, Inc., 59 Temple Place - Suite 330, Boston, MA 02111-1307, USA.
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Lee instalacion.txt para el proceso de instalación.
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Libre Media server es un programa para gestionar visuales en artes escénicas, eventos, performances, instalaciones,...
|
||||
|
||||
Se controla mediante el Open Lighting Arquitecture que soporta una gran variedad de protocolos y dispositivos estandard de iluminación: Artnet, ShowNet, PathPort, ACN, Enttec Open DMX Pro,...
|
||||
|
||||
Puedes controlarlo gratis con el programa MagicQ de ChamSys si no dispones de ninguna mesa o programa de iluminación. No es software libre, pero al menos es gratis y multiplataforma. En la versión más moderna ahora (1.5.7.5) para GNU/Linux no funcionan los thumbnails, en Win sí. En la carpeta "MagicQ" hay un archivo de show y los archivos de personalidad, para audio y video.
|
||||
|
||||
El motor gráfico y de audio es Pure Data, que se ejecuta en background invisible al usuario. Ahora mismo podemos reproducir 255 carpetas con 255 videos cada una en cualquier formato en que esté el codec instalado en el sistema. Si lo puede leer en el reproductor de medios de gnome podrá reproducirlo LMS. También podemos reproducir fotos y textos. El reproductor de medios podemos variar la velocidad, ejecutarlo en distintas direcciones (hacia delante, hacia atrás, ping-pong), y en bucle o en un sólo disparo.
|
||||
|
||||
LMS tiene 8 capas de video o texto, cada dispone de una correción Bezier de 4 puntos, por lo que podemos mapear diferentes superficies, o lados de objetos. También podemos corregir el keystone mediante estos ajustes. Por supuesto, hay ajustes de color, posición, tamaño y rotación por cada capa.
|
||||
|
||||
Las mezclas entre capas se realizan mediante 7 canales: 3 canales pasa altos RGB, 3 canales Pasabajos RGB, con lo que se puden hacer lumas y cromas entre capas, y otro canal que define el método OpenGL de blending. El orden de las capas se controla mediante el canal de posición Z: cuanto más grande sea más al fondo se encuentra. Si no el orden de prioridad es cuanto más pequeño el número de capa más prioridad tiene (la capa 1 es la más prioritaria).
|
||||
|
||||
También podemos manejar 8 capas de audio, cada una reproduciendo un archivo .ogg. El control de volumen es en 16 bits de precisión y logarítmico.
|
||||
|
||||
El interface gráfico es muy simple, sólo sirve para manejar la configuración de Pure Data y sirve para ver el archivo que cada capa está reproduciendo. Tenemos dos pestañas: Una para la configuración de Video y otra para la de Audio. Cada capa de audio y/o video se deberá patchear en la mesa independientemente. Los dos procesos son independientes y pueden funcionar individualmente o conjuntamente.
|
||||
Como los controles son parecidos para las dos ventanas, las explicamos juntas. Empezando de arriba hacia abajo:
|
||||
|
||||
A. Terminal. Se muestran mensajes de estado y de error. Común a las dos capas.
|
||||
|
||||
B. 8 Capas. Representan las 8 capas de video.
|
||||
|
||||
- B.1 Ventana de Preview. Muestra el archivo que está siendo reproducido en la capa, sin efectos ni modificaciones. Funciona a 1 frame por segundo.
|
||||
- B.2 Botón de activado de la capa. Si no está en on la capa no está activada y no renderiza, se quedará en la pantalla el último frame renderizado; desactivando no va a negro.
|
||||
- B.3 Dirección DMX. Hay que introducir el primer canal DMX de la capa, la misma a la que se patcheó en la mesa.
|
||||
|
||||
C. Change Media Path. Cambia el path al árbol de directorios de los media. Este control es común para el video y el audio, sólo hace falta introducirlo una vez, aunque se muestra en las dos pestañas.
|
||||
|
||||
D. Video/Audio. Inicia o detiene los procesos de video y de audio.
|
||||
|
||||
F. ReadDMX. Empieza o termina la lectura de datos DMX
|
||||
|
||||
H. OLA Universe. El universo de Open Lighting Arquitecture que hemos configurado como entrada y al que el proceso escuchará. Ver instalacion.txt para detalles y configuración de OLA..
|
||||
|
||||
G. Window. Crea y destruye la ventana de reproducción.
|
||||
|
||||
I. Window Position. Posición de la ventana de renderizado en pixeles x,y.
|
||||
|
||||
J. Window Size. Tamaño de la ventana de renderizado en pixeles x, y.
|
||||
|
||||
K. IP Adress. Dirección IP de la interface que queremos usar para el CITP/MSEx. Dejar en 0.0.0.0 para todas las interfaces.
|
||||
|
||||
E. Init CITP/MSEx. Inicia el peer CITP y manda los thumbs si alguna mesa lo solicita.
|
||||
|
||||
F. Venta de preview. La ventana grande es un preview de la mezcla final. Funciona a 2 frames por segundo.
|
||||
|
||||
El CITP/MSEx no funciona en el interface localhost. Sin embargo la recepción de datos ArtNet sí. Necesita tener un interface de red activo en el momento de lanzar el programa, pero después se puede desconectar. Se puede usar en el mismo ordenador LMS y MagicQLinux para controlarlo.
|
||||
|
||||
Generación de thumbs:
|
||||
|
||||
Es necesario generar lo thumbnails de tus medias para poder transmitirlos por CITP/MSEx. Lo puedes hacer mediante el fichero make_thumbs.sh en la carpeta scripts. Primero ábrelo con un editor de texto y edita el path a tus medias. Guarda, cierra, y ejecuta el archivo. Debería de crear una subcarpeta llamada thumbs por cada carpeta de medias, y en ella el thumbnail con el primer fotograma de cada archivo, con el mismo nombre, pero acabado en jpeg. En siguientes versiones intentaré integrar esto cuando se pulse el botón "Init CITP/MSEx".
|
||||
|
||||
La ventana de renderizado se muestra sobre todas las demás ventanas y sin que aparezca el cursor en ella. Si tenemos problemas en la configuración, por ejemplo nos quedamos sin ver el escritorio, siempre podemos llevar el cursor a la ventana de renderizado y presionar Escape para cerrarla. La posición de la ventana se configura con los controles "Window Position" y el tamaño de la ventana con "Window Size", los dos primero el ancho y después el alto. Para hacer algo útil deberemos tener el escritorio extendido a un segundo monitor y configurar en estos controles los valores de ese monitor. Para aplicar cambios hay que cerrar la ventana y reabrirla.
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Estructura de medias:
|
||||
|
||||
Los archivos de medios que utiliza LMS deben de estar ordenados en un árbol de ficheros. La dirección superior del árbol es la que se tiene que introducir en el archivo scripts/make_thumbs.sh y configurar en LMS mediante el botón "Change media Path".
|
||||
|
||||
El árbol de ficheros tiene el siguiente esquema:
|
||||
|
||||
+ media
|
||||
+ video
|
||||
+ 000-descripcion
|
||||
- 000-miloop.mov
|
||||
- 001-milooocool.avi
|
||||
- 002-mipelo.mpg
|
||||
...
|
||||
- 255-ultimo.avi
|
||||
|
||||
+ 001-otrodir
|
||||
- 000-otrapeli.mov
|
||||
- 001-maspelis.mov
|
||||
...
|
||||
- 255.ultimodelasegundacarpeta.mov
|
||||
|
||||
+ 002-fuego
|
||||
- 000-Boladefuego.avi
|
||||
- 001-Murodefuego.avi
|
||||
...
|
||||
- 255-fuentedefuego.avi
|
||||
|
||||
...
|
||||
|
||||
+ 255-ultimodir
|
||||
+255.ultimapeli.mov
|
||||
|
||||
+ audio
|
||||
+ 000-miprimealbum
|
||||
- 000-mifichero.ogg
|
||||
...
|
||||
- 255-miultimofichero.ogg
|
||||
|
||||
+ 001-misegundoalbum
|
||||
- 000-mifichero.ogg
|
||||
...
|
||||
- 255-miultimofichero.ogg
|
||||
|
||||
...
|
||||
+ 255-miultimoalbum
|
||||
- 000-mifichero.ogg
|
||||
...
|
||||
- 255-miultimofichero.ogg
|
||||
|
||||
+ fonts
|
||||
- 000-mifuente.ttf
|
||||
...
|
||||
- 255-miultimafuente.ttf
|
||||
|
||||
+ images
|
||||
- 000-miprimerafoto.jpg
|
||||
...
|
||||
- 255-miultimafoto.jpg
|
||||
|
||||
Los números al principio de ficheros y directorios no son obligatorios, pero ayudan mucho a organizar el material. LMS busca por orden alfabético en los directorios/ficheros, y ese orden es el que determina los valores de los canales Folder y File para reproducirlos.
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Textos:
|
||||
|
||||
Puedes definir hasta 255 frases editando con un editor ASCII el fichero text.txt. El formato es:
|
||||
|
||||
1, Esto es una frase;
|
||||
2, El número es el valor del canal 6 folder;
|
||||
3, no se pueden usar comas;
|
||||
4, las frases tienen que acabar con punto y coma;
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Listado de canales DMX:
|
||||
|
||||
LibreMediaServer Video:
|
||||
|
||||
Entre paréntesis el valor normal de uso (locate).
|
||||
|
||||
1 Alpha/Dimmer (255)
|
||||
2 Rojo (127)
|
||||
3 Verde (127)
|
||||
4 Azul (127)
|
||||
5 Speed (40; esto se corresponde a 25 fps. El valor del canal son los milisegundos del metro, por lo que la inversa es el valor real de FPS).
|
||||
|
||||
0-244: Velocidad de reproducción.
|
||||
245-249: Autodeteccion de fps, una sola vez. Se reproducirá a la velocidad de la película.
|
||||
250-255: Autodeteccion de fps, loop
|
||||
|
||||
En los modos auto el inicio y fin de loop no son aplicables, se reproduce la película completa en modo Normal (ver canal 9).
|
||||
|
||||
6 Directorio / Texto
|
||||
7 Archivo / Fuente
|
||||
8 Tipo de Media
|
||||
0-24: OFF
|
||||
25-49: Video
|
||||
50-75: Imagenes
|
||||
75-99: Texto
|
||||
9 Modos de Reproduccion (Sólo aplicable si canal 5 < 245):
|
||||
00-24 Normal loop
|
||||
25-49 Back loop
|
||||
50-74 Ping-pong loop
|
||||
75-99 Normal una vez
|
||||
100-124 Back una vez
|
||||
125-149 Ping-Pong una vez
|
||||
150-174 Stop/pause
|
||||
175-200 Continue/Play
|
||||
10 Inicio loop (0 principio peli- 255 final) (0)
|
||||
11 Final Loop (0 principio peli - 255 final) (255)
|
||||
12 Rotate X (0)
|
||||
13 Rotate Y (0)
|
||||
14 Rotate Z (0)
|
||||
15 Size X (127)
|
||||
16 Size Y (127)
|
||||
17 Z (127)
|
||||
18 X (127)
|
||||
19 Y (127)
|
||||
20 X Fino (127)
|
||||
21 Y Fino (127)
|
||||
|
||||
Los siguientes canales son usados para lumas y cromas.
|
||||
Los High filtran los pixeles con ese valor o superior y los convierte en transparente (croma)
|
||||
|
||||
22 Alpha High Red (255)
|
||||
23 Alpha High Green (255)
|
||||
24 Alpha High Blue (255)
|
||||
|
||||
Los Low filtran los pixeles con ese valor o inferior (máscara).
|
||||
|
||||
25 Alpha Low Red (0)
|
||||
26 Alpha Low Green (0)
|
||||
27 Alpha Low Blue (0)
|
||||
|
||||
Los siguientes canales se usan para correción de keystone y videomapping. Hay configuración por capa, el resto de configuraciones de posición y tamaño se reajustarán dentro de la nueva capa
|
||||
|
||||
28 Corner Bottom Left X (0)
|
||||
29 Corner Bottom Left Y (0)
|
||||
30 Corner Top Left X (0)
|
||||
31 Corner Top Left Y (255)
|
||||
32 Corner Bottom Right X (255)
|
||||
33 Corner Bottom Right Y (0)
|
||||
34 Corner Top Right X (255)
|
||||
35 Corner Top Right Y (255)
|
||||
|
||||
Los siguientes canales son usados para control de efectos
|
||||
|
||||
36 Selección FX 1 - Ver abajo para lista de efectos.
|
||||
37 Selección FX 2 (Reservado - No Implementado todavía).
|
||||
38 Param 1 FX 1
|
||||
39 Param 2 FX 1
|
||||
40 Param 3 FX 1
|
||||
41 Param 4 FX 1
|
||||
42 Param 5 FX 1
|
||||
43 Param 6 FX 1
|
||||
44 Param 7 FX 1
|
||||
45 Param 8 FX 1
|
||||
|
||||
46 - Blending Mode. Este canal elige el tipo de mezcla entre capas. Se corresponde a los modos de mezcla OpenGL:
|
||||
|
||||
0: GL_ONE_MINUS_SRC_ALPHA;
|
||||
1: GL_ONE;
|
||||
2: GL_ZERO;
|
||||
3: GL_SRC_COLOR;
|
||||
4: GL_ONE_MINUS_SRC_COLOR; (Locate, mezcla normal)
|
||||
5: GL_DST_COLOR;
|
||||
6: GL_ONE_MINUS_DST_COLOR;
|
||||
7: GL_SRC_ALPHA;
|
||||
8: GL_ONE_MINUS_SRC_ALPHA;
|
||||
9: GL_DST_ALPHA;
|
||||
10: GL_ONE_MINUS_DST_ALPHA;
|
||||
11: GL_CONSTANT_COLOR;
|
||||
12: GL_ONE_MINUS_CONSTANT_COLOR;
|
||||
13: GL_CONSTANT_ALPHA;
|
||||
14: GL_ONE_MINUS_CONSTANT_ALPHA;
|
||||
15: GL_SRC_ALPHA_SATURATE;
|
||||
16: GL_SRC1_COLOR;
|
||||
17: GL_ONE_MINUS_SRC1_COLOR;
|
||||
18: GL_SRC1_ALPHA;
|
||||
19: GL_ONE_MINUS_SRC1_ALPHA;
|
||||
20: GL_ONE_MINUS_SRC_ALPHA;
|
||||
|
||||
Más información sobre los distintos tipos de blending en http://www.opengl.org/wiki/GLAPI/glBlendFunc.
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Efectos Video:
|
||||
|
||||
0 - No effect
|
||||
1 - Bitmask
|
||||
Fx 1 All (255)
|
||||
Fx 2 Red (255)
|
||||
Fx 3 Green (255)
|
||||
Fx 4 Blue (255)
|
||||
2 - Halftone
|
||||
FX 1 Size
|
||||
FX 2 Angle
|
||||
FX 3 Smooth
|
||||
FX 4 Style
|
||||
3 - Rds
|
||||
FX 1 Method
|
||||
FX 2 Stride
|
||||
4 - Roll
|
||||
FX 1 Axis
|
||||
FX 2 Roll
|
||||
5 - Invert
|
||||
FX 1 On/Off
|
||||
6 - Scanline
|
||||
FX 1 Mode
|
||||
Fx 2 Interlace
|
||||
7 - Threshold
|
||||
FX 1 All
|
||||
FX 2 Red
|
||||
Fx 3 Green
|
||||
Fx 4 Blue
|
||||
8 - Metaimage
|
||||
FX 1 Cheap
|
||||
FX 2 Distance
|
||||
FX 3 Size
|
||||
9 - Refraction
|
||||
FX 1 Width
|
||||
FX 2 Height
|
||||
FX 3 Mag
|
||||
FX 4 Refract
|
||||
10 - Convolve
|
||||
FX 1 Escala
|
||||
FX 2 Modo (none, smooth, edge1, edge2)
|
||||
11 - Gain
|
||||
FX 1 Common
|
||||
FX 2 Red
|
||||
FX 3 Green
|
||||
FX 4 Blue
|
||||
12 - Lumaoffset
|
||||
FX 1 Fill On/Off
|
||||
FX 2 Smooth On/Off
|
||||
FX 3 Gap
|
||||
FX 4 Offset
|
||||
13 - tIIR
|
||||
FX 1 Feedback 1
|
||||
FX 2 Feedback 2
|
||||
FX 3 Feedback 3
|
||||
FX 4 Feedforward 1
|
||||
FX 5 Feedforward 2
|
||||
14 - rtx
|
||||
FX 1 Clamp discontinuity to the edge (On/Off)
|
||||
15 - Normalize
|
||||
No Params
|
||||
16 - Kaleidoskope
|
||||
FX 1 Segments
|
||||
FX 2 Source Angle
|
||||
FX 3 X
|
||||
FX 4 Y
|
||||
FX 5 cX
|
||||
FX 6 CY
|
||||
FX 7 RLP
|
||||
FX 8 SAP
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
PureMediaServer Audio:
|
||||
|
||||
1 - Volumen Coarse
|
||||
2 - Pan
|
||||
3 - Folder
|
||||
4 - File
|
||||
5 - Playback
|
||||
6 - Control
|
||||
7 - Volume Fine
|
||||
8 - Entry Point Coarse - El valor de estos dos canales en centésimas de segundo.
|
||||
9 - Entry Point Fine
|
49
doc/readme.txt
Normal file
49
doc/readme.txt
Normal file
|
@ -0,0 +1,49 @@
|
|||
*******************************************************************************
|
||||
|
||||
Libre Media Server - An Open source Media Server.
|
||||
(c) Santiago Noreña 2012-2013
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Developing and support: libremediaserver@gmail.com
|
||||
|
||||
Code: http://code.google.com/p/libremediaserver
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
This program is free software; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation; either version 3 of the License, or (at your option) any later version.
|
||||
|
||||
This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details.
|
||||
|
||||
You should have received a copy of the GNU General Public License along with this program; if not, write to the Free Software Foundation, Inc., 59 Temple Place - Suite 330, Boston, MA 02111-1307, USA.
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Pure Media Server is an Open Source project to manage visuals and audio in stage, perfomances, installations, events,,...,
|
||||
|
||||
The control input is through Open Lighting Arquitecture, so we can use any open lighting protocolo (ArtNet, PathPort, ShowNet, ACN, SandNet,...) or DMX-USB device (Enttec USB DMX Pro, Velleman, Anyuma,..).
|
||||
|
||||
The graphic and audio engine are two Pure Data process running in the background. You will need a graphics card OpenGL capable and the driver for it
|
||||
correctly installed.
|
||||
|
||||
I'm developing and testing in Debian Wheezy and Ubuntu precise 12.04. It should compile and work in anothers Debian based distros.
|
||||
|
||||
Features:
|
||||
|
||||
- 8 video, pictures or text layers.
|
||||
- 8 audio layers.
|
||||
- Advanced playback (normal, back, ping.pong, entry point, exit point, speed, loop).
|
||||
- Each layer can be mapped onto a surface with 4 point of Bèzier.
|
||||
- A lot of formats: avi, mov, mpg, HD,...
|
||||
- Some video effects.
|
||||
- Position, Rotation, Size.
|
||||
- Croma/Luma mask.
|
||||
- Text through a text file, with 255 phrases.
|
||||
|
||||
Sorry, at the moment the doc is only in spanish:
|
||||
|
||||
Install guide : instalacion.txt
|
||||
|
||||
Users guide : manual.txt
|
||||
|
||||
|
54
doc/todo.txt
Normal file
54
doc/todo.txt
Normal file
|
@ -0,0 +1,54 @@
|
|||
*******************************************************************************
|
||||
|
||||
Libre Media Server - An Open source Media Server.
|
||||
(c) Santiago Noreña 2012-2013
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Developing and support: libremediaserver@gmail.com
|
||||
|
||||
Code: http://code.google.com/p/libremediaserver
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
This program is free software; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation; either version 3 of the License, or (at your option) any later version.
|
||||
|
||||
This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details.
|
||||
|
||||
You should have received a copy of the GNU General Public License along with this program; if not, write to the Free Software Foundation, Inc., 59 Temple Place - Suite 330, Boston, MA 02111-1307, USA.
|
||||
|
||||
*******************************************************************************
|
||||
|
||||
Próximas versiones:
|
||||
|
||||
- Pure Data Video: Modularidad, sumar ventanas por instancias de PMS-video. NO SE PUEDE POR USAR LOS MISMOS PUERTOS. Opción de arranque?. Blending entre proyectores.Mirar ejemplo Gem multiprojection. Añdir shaders a la capa?
|
||||
- Pure Data Video: Cambiar alpha por glgs. Mirar ejemplos en doc de Gem. Mirar requerimientos de tarjetas gráficas. Añadir shaders glgs.
|
||||
- GUI: Cuadro de diálogo en open/save para diferentes archivos de configuración.
|
||||
- GUI: Mover la configuración de ip address a un menú.
|
||||
- GUI: Configuración para anular los previews y salvar tiempo de proceso.
|
||||
- Conectividad: CITP/MSEx 1.1. Thumbs y previews de imágenes.
|
||||
- Pure Data: Carpetas para imágenes y sonidos. Diferentes ficheros de texto.
|
||||
- Pure Data: sincronismo de audio con videos --> Parece que hay que hacer un script para separar el audio del video, y luego ejecutarlos juntos. Un poco chapu, la verdad. La aternativa es volver a pdp mediante pdp2gem (inviable, demasiado proceso) --> De momento separando el .ogg del video, ejecutando en auto, y mandando play a la vez debería de estar sincronizados. Ahora mismo se podría separando el audio en un fichero .ogg y presionando el play a la vez en modo auto.
|
||||
- Documentación en inglés.
|
||||
- Medidor de CPU en el GUI
|
||||
- Incluir archivos en el ejecutable como recursos Qt --> Podrá leer Pure Data los .pd_linux?
|
||||
- Audio: Theremin, sintetizadores.
|
||||
- Audio: Música fractal mediante generadores de fx de las mesas
|
||||
- Audio: Tarjetas con varias salidas y varias mezclas.
|
||||
- Video: Live input
|
||||
- Empaquetar en .deb
|
||||
|
||||
-----------------
|
||||
|
||||
Para considerar:
|
||||
|
||||
- Necesidad de 16 bits en size, rotation, entry-end points, puntos de bezier?
|
||||
- Más puntos de Bezier?
|
||||
- Hacer external con reproductor de pix_film --> Merece la pena codificarlo en C una vez hecho en PD? Ahorrará consumo de CPU?
|
||||
- GUI: PD Watchdog reinicia --> Puede que sea mejor que se reproduzca más lento a forzar un reinicio?
|
||||
|
||||
-----------------
|
||||
|
||||
Descartados:
|
||||
|
||||
- Separar textos en otra personalidad --> No posible, al iniciar un nuevo proceso inicia una nueva ventana- Malo para textos, bueno para varios proyectores y blending!. Investigar soft edge.
|
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